Posts Tagged ‘“Let Everything That Has Breath Praise the Lord”’

Playing my own music

Sunday, February 7th, 2010

Over the last eight days, I’ve played my own music in three different venues in three cities here in Oklahoma.  I played my trombone-with-electronics piece Let Everything That Has Breath Praise the Lord here in Guymon at a concert at my church.  Then on Friday, I premiered part of my unaccompanied trombone piece Twenty Views of the Trombone on a faculty recital at Oklahoma Panhandle State University.  Then, last night, Becky and I went to Norman, Oklahoma so that I could play both pieces as a featured composer at a Salon Concert of the Oklahoma Composers Association.  All the performances went well, and they bring me to a topic I’ve, understandably, been thinking about lately, and that is the need for a composer to write music for him- or herself to perform, and to perform it.

A Beethoven or a Gershwin could, of course, at the drop of a hat, find a piano and regale those assembled with any number of their original works; Schubert wrote for himself, and composers like Bach and Haydn had jobs that required them to compose, rehearse and lead their newest pieces in quick succession. 

No one can be as passionate a performer of a new piece than its composer, and there’s no better way to show how a new piece should be played.   If my ideal is to write with a performer in mind, then writing for myself is the closest relationship I can have with a performer. 

From a practical standpoint, playing my own music means that I can “take the show on the road” very easily–in my case, with only my trombone and perhaps a mute or the CD of the accompaniment.

While I avoided writing for the trombone for a while–I didn’t just want to be a trombone composer, and there were other media to explore–it will always be the instrument I understand best.  I love to play the trombone, and it will, hopefully, always be my primary instrument, even if I don’t get nearly the amount of practice I would like.   It only seems natural that I would combine my compositional and performing personae.

I would urge all composers to consider this avenue–and I intend to keep exploring it myself.

A long trip

Tuesday, March 31st, 2009

I’m currently stuck in Denver at the tail end of a long trip, but it’s been fantastic.

First, I went with the OPSU choirs on their trip to Chicago.  Our choir director, Matt Howell, did a fantastic job planning and executing a great trip while still keeping it within a reasonable price range for the students.  The choirs performed, but more importantly, they got to spend a week in the big city, navigating public transportation and taking in cultural things that just aren’t available in the Panhandle.  The London Symphony Orchestra gave a fantastic concert of Prokofiev with Gergiev and Feltsman–core repertoire.  The woodwinds in that group are simply astounding, and really made the Classical symphony sparkle.  I first saw Feltsman play about 15 years ago in Cincinnati, and he hasn’t lost any of his charm or technique–the Prokofiev 2nd concerto was putty in his hands.  The program ended with Prokofiev’s fifth symphony, which was absolutely sublime.

We were fortunate to get both a backstage tour and take in a performance at the Lyric Opera.  The production values and musical technique made me feel like I’d never heard opera before.  If you are in Chicago, be sure to take in the Lyric.

On our last full day, I spent the afternoon at the Art Institute of Chicago, which was absolutely worth the price of admission, even with their modern and contemporary collections currently in transition to the new building opening in May.  Then it was across the street to hear the Chicago Symphony play Mendelssohn (Italian), Prokofiev (left hand concerto), and Beethoven (Eroica).  I dare say it may have been an off night for the group… no need to mention any names.

Then it was back to Garden City, Kansas, where the choir headed back home and I hopped a plane to begin the rest of the trip.  I have now appeared in New York City as composer and trombonist.  David Morneau, Rob Voisey and Vox Novus set up a wonderful concert in the Jan Hus church in Manhattan, and I had a great time.  I played my trombone and electronic piece “Let Everything that Has Breath Praise the Lord” and my solo trombone piece, “What It’s Like.”  David, as always, had a fascinating collaboration with a dancer and a visual artist.  I only wish I was so cool.  A big “thank you” to David for making that happen.  Vox Novus does a concert at this fantastic venue on the East Side on the last Sunday afternoon of every month, so be sure to check it out.    It was a thrill to visit New York again (I hadn’t been since 1996) and to be there “on business.”  David and his wife Jolaine were wonderful hosts, and around the corner from their place in Astoria is an Italian bakery that I will remember until I die… amaretti!

So… I’m now stuck for the night in Denver because my flight home was delayed and I missed the connection back to Garden City, delaying my return to my beautiful, wonderful wife.  I still have one more stop on my “six weeks of insanity” that began with Oklahoma City in Feburary… the national SCI conference in Santa Fe.