Posts Tagged ‘Ohio State’

In memoriam Donald Harris

Tuesday, March 29th, 2016

Tonight I received the news that Donald Harris, my graduate advisor at Ohio State, and mentor since then, has passed away.   His obituary is here.

I quickly wrote a facebook post:

In 2003, Becky and I went to Ann Arbor to see the composition program at the University of Michigan. That day I met an alumnus of that school, Donald Harris, who was there to present his Second String Quartet to the composition studio. A week later, we met on his home turf at Ohio State, and not quite a year after that, I joined his studio. His guidance was gentle but always true, and I was privileged to be hooded by him in 2007, the same year we co-curated the OSU New Music Festival. In the years since then, he continued to be an encouraging mentor, and gave his seal of approval last summer of my first piece for a professional orchestra. All his students will have to finish music without him now, but I will hear his lessons every time I sit down to compose. Thank you, Don, for making a music teacher with ideas into a composer, and for letting me into your world over the last thirteen years.

But there’s more to the story. I lucked into Ohio State, and I lucked into being Don’s student. It was the right program for me, in the right city (my hometown), at the right time.  I wasn’t coming straight from undergraduate studies, but from six sometimes-great but mostly not-so-great years of public school teaching. When I visited Michigan, I felt like just another prospective student, but the faculty at Ohio State, especially Don, made me feel welcome from the moment I set foot on campus. Even that first day, Don took me to his favorite place on campus–the cafe in the ground floor of the Wexner Center for the Arts, a building he had built during his time as dean. I came to regard the Wexner Center as my place, too, always making a point to take in the exhibitions, and grabbing a quick study session in there between class and rehearsals (and several times nearly losing my balance on the slick marble strips in the sidewalk whenever it rained).

I was fortunate at Ohio State to study composition also with two other great teachers–Jan Radzynski and Thomas Wells, both of whom helped shape the composer and teacher I am today–but I kept coming back to Don for guidance and instruction. At some point, he began to play his works-in-progress for me as well, starting with Kaleidoscope, the piece that would eventually grow into his Second Symphony. He was in the midst of a period of, for him, increased productivity, perhaps the pent-up work of his years as an administrator, perhaps just a sense that it was time. He had made the transition from pen to computer by the time I met him, and perhaps the change of tools was a part of this as well. As I gained his confidence, he gave me responsibilities as well as assignments. I turned the pages for the pianist on a recital that included his Fantasy for violin and piano, a simple thing, on the face of it, but a real challenge in its way, given the music involved. He urged me to take the OSU Composers Workshop concerts on the road to Port Clinton, Ohio, and I found myself organizing and leading my fellow students in this, two summers in a row. In my last year at Ohio State, he not only guided me through my candidacy exam, DMA document, and graduation piece, but also asked me to co-curate the New Music Festival for that year.  These are the things graduate students do, of course, and I had done some of them before, and may have done some of them with another teacher, but with Don’s guidance and advice, they always made sense, and they were never too onerous. He was making me into a composer, but also into a colleague, a point he underscored just before my oral doctoral exams when he told me that the committee was testing me out to decide whether I was fit to be a professor.

He is my connection to the core of the profession I have chosen for myself.  His teachers were Ross Lee Finney, Max Deutsch (a pupil himself of Arnold Schoenberg), and the great Nadia Boulanger. He knew all of Les Six, as well as Messiaen and Boulez, along with Copland, and so many other great American composers. He produced the first French performance of Ives’ Fourth Symphony. He was pals with Gunther Schuller and Lukas Foss. Along the way, he learned how to handle any situation, musical or professional, with both candor and grace, something I aspire to as much as his compositional ability.

After I graduated, I didn’t see Don as frequently, since Becky and I moved to Oklahoma to take my first teaching job (partly on the strength of his letter of reference).  I visited from time to time, and we were comfortable enough together that he would let me see him at his worst–after his broken hip, and during his fight with Parkinson’s disease. We would share coffee or a meal, and catch up, and I would always bring my latest scores and he his. He arranged for me to be commissioned to write a piece for the 2010 edition of the OSU New Music Festival, held in his honor, and the result was one of the works I am most proud out, Moriarty’s Necktie. The last time we met in his apartment on Long Street in Columbus, I played my piano sonata for him, and he played the Second Symphony for me. Every time I came to their home, he and his lovely wife, Marilyn, were gracious and kind hosts, even when there was work to do.

The last time we met, Don was in assisted living. He still wanted to see my latest work–forever my teacher–and I showed him the newly-finished score to …into the suggestive waters… He said that he was still composing, and with luck there is at least one more premiere for Don in the future.

I am grateful for our thirteen-year relationship–first student and teacher, then colleagues, then, I hope, friends. My sincerest condolences to Marilyn and their families on their loss.

The Fifth Beard

Tuesday, May 27th, 2014

A few days ago, I shaved off my facial hair, which I’ve had since the winter of 2006.  It was getting scraggly, had become hopelessly asymmetrical, and I kept nicking my mustache in the same spot with my razor, creating a divot.  So, with two weeks until summer classes start, I’m now growing my Fifth Beard.

I grew my First Beard in July 1993, while I was backpacking at Philmont Scout Ranch.  When we got back to Base Camp, I shaved off everything but the mustache and goatee.  I then had to talk my dad into letting me keep it, which he did, provided I was clean-shaven when school started.  I had it during my last Band Camp with my high school marching band, and I was glad that I was able to grow it, but didn’t mind getting rid of it all that much, because there was a diagonal red stripe below my lower lip that didn’t match the rest.  I have a picture from the last day of Band Camp of me with the beard, where I’m playing a trombone solo, looking sharp in my aviator-style prescription sunglasses (which I still use!), and that year’s band t-shirt, which had a Where the Wild Things Are theme, and which I sadly no longer own, as it got trashed at the mulch sale the next spring.

My Second Beard came about two years later, in June or July of 1995.  I was at Brevard Music Center in North Carolina, and my girlfriend asked me to grow it.  After a few days, she trimmed it up into a mustache and goatee, and a few days after that, decided she didn’t like it, so I cut it off.  The whole second beard couldn’t have lasted much more than two weeks or so.  Sometimes things are fleeting.

The Third Beard was also fleeting.  I was living in Macon, Georgia, and over the Christmas holidays in 1998 and 1999, I grew it out, thinking to make a more mature look during my first year of teaching school.  The day before school was to start again, I was convinced to shave it.  Thinking back, that was probably the right move, because I don’t remember any of the other teachers (male teachers, that is) having a goatee, and my principal, Mr. Sheftall, was the kind of guy who would tell one of his teachers to shave it off.

Then there was a pretty long spell of being clean-shaven while some big stuff happened in my life–I moved back to Ohio, taught in Springfield, then in Elyria, met and married Becky, the love of my life, and got started on graduate school.  I probably *should* have grown my beard out at some point, because I think I look better with it when I keep up with it, for one thing, and also because shaving around my mouth plus playing trombone really irritated that area, and I would get pimples right where my lips met the skin of the rest of my face, often right in the spot where the rim of my mouthpiece lands.  It never really occurred to me, though.  For whatever reason, even though I had tried it three times, two at my own instigation, it never crossed my mind.

Then, in December 2005, came the Fourth Beard, and it has really become a part of my image.  I grew it because one of my fellow students at Ohio State grew one, and Becky said it looked good.  Only half-joking, I told her that I had better grow mine out, too, and she liked the idea, and the results.  I kept it until last Saturday, May 25, which means that it saw me through the second half of grad school, my first college teaching gig in Oklahoma, the birth of both of my children, some good things, some bad things.  I’ve had it the entire time I’ve been on Facebook and the entire time I’ve had my own website.  No one at my current job has ever seen me without it, and neither had Noah and Melia, or my neice Emma (or her dad Steve, for that matter), until last Saturday.  Noah had seen pictures of Becky and me from our wedding, when I was clean-shaven, and since then, he’s been pointing at the picture we have in the living room saying, “Daddy, you shaved off your mustache before the wedding.”  Yes, and no, Noah.  Yes and no.

One reason I kept the beard was that my dermatologist told me that keeping any skin covered reduces the chance of my skin cancer recurring, and I’m all in favor of that, so I’m growing it back.  I wasn’t sure what would be under there–would nine years show unpleasantly?  Becky says I look younger without it, but that I look better with it, so it’s coming back.  I think it’s the Will Riker effect–Jonathan Frakes looked much better in subsequent seasons of Star Trek: The Next Generation, not just because his uniform had been redesigned, but because of his excellent facial hair.  To wit:

(Although did they also change his eye color, or is it just the lighting?)

Anyway, I should have known as early as 1989 or so what a beard could do for a trombone player (whether or not he happens to be first officer of a Galaxy-class starship).  Clearly, I have learned something in all those years.

So… what will the Fifth Beard hold?  How long will it last?  Until tenure?  Full professor?  Until Melia is in elementary school, or Noah is in middle school?  Perhaps it will be the beard I wear to the premiere of my first symphony.  Maybe I will get better at taking care of it and it will be the beard I have the rest of my life.  Only three days in, I’m still in the growth stage, and I’m considering whether to go with the full beard (a la Number One) or stick with the goatee (I could do that, then shave my head and have a Benjamin Sisko thing… nah…).

 

Lunchtime Thoughts

Wednesday, October 31st, 2012

Looking back, I’ve been neglecting this blog–posting every six weeks isn’t really going to do it. So–my Halloween resolution is now and then to go on at lunchtime and put up about ten minutes worth of thoughts. Here goes:
I’ve been spending some time getting together a group of composition projects for the next year or so, and it’s looking good. First, there will be a piece for flute choir in honor of Donald McGinnis’ 95th birthday, commissioned by Katherine Borst Jones at Ohio State for her Flute Troupe there. Dr. McGinnis was Kathy’s teacher and the subject of my doctoral research–he was the band director at Ohio State for over thirty years (from the 40s to the 70s), and was also a composer and flutist, so it’s a very interesting commission from a personal point of view. I’ve started a couple of different openings, but I haven’t found the one that really makes me want to keep writing–when I do, the piece will come, so I’m giving it another shot this weekend.

After that will be a first for me–a film score. At the Region VI Society of Composers conference earlier this month, the WTAMU Symphony Orchestra performed excerpts of the silent film scores that BJ Brooks has created for them over the last few years. Now that I’m conducting the Lakeland Civic Orchestra, I’ve decided to try the same thing with them in April, and I’m pretty sure I’m going to use Georges Melies’ 1902 Le Voyage Dans La Lune, which I will score and we will then project during our performance.

Next, a collaborative project–Antoine Clark, a clarinetist who was at Ohio State at the same time I was, approached me about scoring a new work of his for clarinet and band.  Antoine’s work is a Fantasy on Themes from the Barber of Seville for clarinet and piano, and would make an excellent solo vehicle in the tradition of pieces for cornet by Clarke and Arban, and I’m very excited about working on this.  Look for performances in the Columbus area next fall.

Finally–and I find this incredibly exciting, I will be writing a piano concerto for pianist Avguste Antonov, who is based in Grapevine, Texas and has performed my Starry Wanderers and my Piano Sonata.  Avguste performs as a concerto soloist regularly, and the piece won’t be ready until the 2014-2015 season, but I’m thrilled to be writing for this medium.  If you need a preview, Avguste is playing excerpts from Starry Wanderers tonight in Youngstown!

Those are the new projects–there are plenty of performances of old pieces on the horizon as well:  In two weeks, Magie Smith will be the clarinet soloist with the Sinclair Community College Wind Symphony and Kenneth Kohlenberg in the premiere of my concerto Daytime Drama–a piece that has been waiting longer than it was supposed to wait, but that is in good hands with a group I used to play in.  November 17 in Dayton, Ohio.  Two weeks late, I’ll be conducting my Variations on a French Carol with the Lakeland Civic Band, on December 2 here in Kirtland.  Then after the new year, performances of my Suite for String Orchestra will get rolling, beginning with Maura Brown and that Batavia High School strings at the Illinois Music Educators Association convention on Friday, January 25 in Peoria–at 9:30am, but it’s my first MEA convention performance, so I’m excited.  Performances will follow thereafter in Pennsylvania, Ohio, Kansas and Florida!

Why My Son Will Never Play Football

Saturday, October 23rd, 2010

This is an elaboration of a statement I have made to a few people now and again, and a few more since Noah was born.  I hope it doesn’t amount to heresy in too many people’s minds, but since becoming a father, I feel all the more strongly about it.  My son, Noah, will not be playing football, at least not in any sort of organized way.  Please don’t think him a coward or less of a man–it simply isn’t his choice.  If Becky and I have more children, they won’t be playing football, either.

As a band member, and later as a high school and college band director, I have seen more football games than I might otherwise have chosen to see.   I’ve been told that you never really understand the game until you’ve played it, and while I’ve played in pickup games, mostly touch or flag, I can’t really say that I’ve played football.  Not in the way that some men mean when they talk about their football experiences.

I’ve watched, though.  And I watch Ohio State play football, not out of a great love of the game, or out of genuine affection for Ohio State, but because it’s a link to my hometown, and sometimes they show places that I’ve been during the coverage, and it was the Ohio State marching band that first inspired me to be a trombonist in any serious way.  I haven’t been to an Ohio State football game since 1987, and I’ve never paid for a ticket–I was an usher with the Boy Scouts back then.  Ohio State football reminds me of home, and I live a long way from there.

I don’t know what my parents woudl have said if my brother and I wanted to play.  We certainly weren’t encouraged to play or to try out, and until that season ushering at Ohio State, my parents only ever took us to a few games, always Homecoming at Wittenberg University, my father’s alma mater.  When I was in first grade, I remember Wittenberg beating Marietta 65-3.  I don’t know what the response to a yearning desire to play football would have been; my brother and I both had other interests, and we were pushed toward Boy Scouts  by my father, who was the best scoutmaster I ever saw.

Noah will not play football because of the almost certain chance that he will be injured either in practice or in the game.  In particular, the chance of brain injury–almost too certain to call it a chance–is what really damns the sport in my book.  One person I’ve discussed this with recently objected that helmets keep getting better and better.  However, a helmet may protect the skull from direct trauma, but it does little for the brain, floating serenely in the cranium until subjected to the sudden acceleration that can cause concussion, or worse.

Just what does a concussion mean to a young man of football age?  The teens are a time when the brain is developing rapidly, but in an odd way–the unused synapses are being closed down, and trauma to the brain at that age accelerates this process.  All humans undergo this pruning of neural pathways, but if too few remain, it can become difficult if not impossible to learn later in life.  The results of repeated concussions are rapidly becoming clear–greater risk of depression, suicide, and propensity for substance abuse, violent behavior, along with diminished capacity to adapt to a changing and challenging world.

While none of these prospects is good, this last is probably the most concerning.  In the 1940s, perhaps it was the case that a young man who suffered a concussion or two would be just fine.  The economy was based on manufacturing and agriculture to a far greater extent than today.  A person of less-than-perfect mental ability could still find a job that would allow him to support a family in a middle-class lifestyle and possibly even retire comfortably courtesy of strong unions, Social Security and a booming American economy.  The work was relatively simple, repetitive and unchanging.  A high school diploma was enough.

Today, though, a college degree is the new high school diploma.  By the time Noah graduates high school in 2028, it is difficult to imagine that a master’s degree will not be necessary for most desirable jobs.  The repetitive, simple job that provides a middle-class existence has been gone for decades, of course, and the truth is that Noah will need every brain cell he can muster to be competitive in a world in which competition is global, intense and technologically driven.  To allow him to participate in an activity, namely football, that is predicated on deliberately striking another human being as hard as physically possible, and being so struck oneself, is, to my thinking, the epitome of child abuse.

Here in Oklahoma, and in much of the rest of the country, high school football is a religion, and what I’m saying is heresy.  Many of my colleagues, neighbors and students regard their time playing high school football as golden, and eagerly anticipate the day that their sons can put on helmet and shoulder pads.  Around here, community leagues begin in elementary school, as was true in my hometown.  Even if I had wanted to play football in middle school, I would have been outclassed by my peers who had played years of UA Grid Kid football.  What I’m about to say next will anger football lovers even more:

Football must to be banned if the United States is to compete in the 21st century world.

It is no secret that the growing economies, especially China and India, will soon surpass America in nearly every category, at least those in which they have not bested us already.  Like Noah, we will need every brain cell we can lay our hands on to be creative, intelligent and tenacious rather than lethargic, beaten-down or worse.  We simply cannot sacrifice a generation of our young men in the name of a game.

Maybe an outright ban isn’t necessary.  Government can apply a variety of tools to influence behavior.  Perhaps denying federal funding to schools who continue to sponsor football teams is the answer.  Perhaps a punitive tax on football equipment that would fund the social services required by the victims of concussions and their families.  Perhaps a switch to flag football is the answer–an option suggested derisively by one commentator not long ago on national television in response to what he perceived as an overly “safe” call.

Why do we as a society continue to promote this sort of institutionalized violence?  As a male, I understand the occasional desire to “knock heads”–I have as much testosterone as the next man.  However, if our society isn’t based on the need to subvert those urges, then upon what is it founded?  Are we really in need of this kind of ritualized warfare?  Are there not more civilized forms of competition just as intense?

Football undoubtedly has benefits for some young men.  As with all opportunities for young men to interact with wiser, older men, football allows lives to be changed for the better when a boy who hasn’t had a fair shake encounters men of character.  At the same time, though, does the number of injuries and deaths in high school football really justify this?  Are there not other chances for young men to encouter the men who will become their mentors and shape them?  Wouldn’t a few less traumatically-brain-damaged men be better able to provide this for some boys who don’t currently get it, whether their sons or someone else’s?

Similarly, the argument that football teaches persistence and otherwise “builds character” is technically true, at least for the young men who don’t get cut from the team or have to quit because of injury.  But any endeavor worth pursuing and well-persued can teach persistence.  I learned it from music, while my brother learned it working on the school newspaper.  We also both had a serious dose of it from Scouting and from running our newspaper delivery route (a small business, really).  Any activity worth pursuing can teach character and persistence, and possibly without brain-damage an indoctrination of violence.

Perhaps football teaches strategy and tactics.  Again, this may be true.  It was said that Wellington’s victory at Waterloo was born on the ball fields of Eton and Cambridge.  I am not such an idealist to believe that our country will not one day need to again demonstrate military prowess in the fundamental sort of way that football would seem to simulate on a weekly basis.  However, I would submit that the boon Wellington and his officers actually got from playing together was not strategic in nature, but rather more to do with command and control, as a 19th-century officer could not immediately know his commander’s wishes in the heat of battle.  It was through their personal knowledge of Wellington’s style that his former classmates were able to intuit his intentions.  We have the equivalent in the United States, namely in the cadres of officers graduated each year from West Point, Annapolis and the Air Force Academy.  Football has little to do with it.  The best way to study strategy and tactics is to actually study strategy and tactics, then engage in the most realistic simulations of warfare as possible, not to participate in a game requiring you to knock helmets deliberately with the very people who you will one day depend on as you fight alongside them.

People who know me consider me to be serious (although people who really know me know that I have a lighter side, too).  I see nothing wrong with throwing the flag, as it were, on a dangerous activity, and I can only hope that people will read this and understand when Noah doesn’t suit up sometime around 2022 or so.  I hope to do as my parents did and present him with other opportunities to build his character, first and foremost providing him with an example, as did my father.  I will understand if people my age (and younger, as I’m a little old to be a first-tiem father) continue to let their sons play, but please respect my decision, and don’t try to convince Noah that he needs to play football.